Analysis of Mise-En-Scene in the Film ‘American Beauty’

How does mise-en-scene create implication and provoke response in the opening of American kayo? The opening scene of American Beauty enters a teenage girl lying in a bed, venting her skin perceptivenesss towards her father. In this, the audition exposes her in dull clothing and colours, minimal reconcile and has greasy- aspect hair. As she sits up, her hair falls around her face and she st bes directly into the camera, swelled a reason of unease to the audition. The next shot is an establishing shot, showing the course where the main character, Leister, lives.Its fall/autumn time and the trees are bare or dying, possibly indicating and foreshadowing a death later on in the movie. Also the streets are very linear, all erect and in uniform, as it were. The opening very much portrays emptiness and dysfunctional family relationships. A spotless example of this would be the bedroom shot the room is very annul and bland. The colour scheme looks very neutral as the walls, c arpets, sheets and even lamps are creams and white- a clean look.The bedroom is also divided and symmetrical the audience gets the feel that the relationship between Leister and his wife is not very reason come in and intimacy is lacking. Also, the lamps and bedside tables placed either side of the bed suggests separation and how their relationship seems very Mr&Mrs. Leister is also a disruption to the room- his checked pyjamas are in linear and in uniform with the rest of the room- as he looks out of place, sprawled in the bed, sheets ruffled and contrasting with the colour scheme of the room.When Leister thence moves into the shower, the audience sees him ease his face into the pouring water, suggesting how he might ease his personal manner into life situations slowly and cautiously. The next shot pans across the room as Leister masturbates in the shower, indicating the lack of intimacy in his relationship and that he feels the assume and obligation to satisfy his own sexual n eeds. The shot shows the shower doors and the vertical lines around the door frame, looking corresponding bars almost, suggesting he is en faithfuld. This sense of enclosure and being trapped is repeated and a recurring al-Qaida throughout the sequence.This opening introduces the familys lifestyle and sets the scene for the audience, from the shot following Leisters shower, the audience gets the sense that the wife is the head of the house as she gardens in a bright, modern-day looking garden. The camera goes to a close up on the rose as the woman clips it from the bush. This rose is called American Beauty which is also the name of the film. She is dressed in a on the face of it grey suit and a clean white apron, again designation in with the colour scheme of the interior decor.She also wears pearl earrings and a pearl necklace with her hair complete(a)ly framing this and has impeccable make up, indicating what the perfect American housewife should resemble. She also converse s with the homosexual neighbours about the secret to her roses well-situated so well she seems happy and overly enthusiastic. The audience then see a shot of Leister, again, enclosed in an environment- this time the window. The audience sees him stool the window panes, in between two bright blue shutters, indicating his isolation and loneliness indoors his own hearthstone. The colour blue is also an evoke choice by the director.Blue suggests calm and tranquillity within the home, and also reflects on the colour of the perfect blue sky. Leister seems to fit in as he reflects on his own life and his past happiness, and also seems unsettled within himself, contrasting to the natural connotations of the colour blue. Following this shot, the daughter, Janey, is introduced as she types on her calculator in her bedroom. Janey wears a jumper with roses embellished across the top half, with stripes bring the arms, it is a very busy jumper and again her sleeves represents a akin(pred icate) linear lifestyle to that of the rest of the house.The camera then moves to a point in time of view shot so the audience can see what she is looking at- as she shuts down a list of some sort, a meshing page on Breast Augmentation is shown for a few seconds, giving the audience enough time to read the title of the page and respond. This is deemed to be something a teenaged girl uncomfortable in her own body would typically look at. Janey then walks over to her mirror and turns to the side and stares at her meet and visually inspects them in disgust.She seems disheartened and is dressed in a braces of beige/khaki trousers which completely contrast to her jumper, making her look unstylish and out of place. The outside of the house is then shown in a tenacious shot as Janey and Leister exit the house to the family car. The house looks bright and contemporary with bright blue shutters, a red door to compliment the roses in the bushes, perfect green lawn and a white picket fen ce, again representing enclosure, the feeling that Leister is trapped in a cage. The house looks like a family home that wishes to portray friendliness and welcome guests.Also, the family car is much too vainglorious for the family there is too much space inside. This shows how empty the family life is and suggests the law of proximity of relationships within the family. The family positioning in the car is also odd, the wife in the front seat driving, Janey in the passenger seat and Leister taking a nap, hugging his suitcase to his chest in the back seat Leister has almost taken the childs role in the family. The camera then shows the audience the view from the back window, and focuses on one small, lonesome grease ones palms that has broken away from the others.This could show Leisters isolation and how he feels like he is sedated, cast away from the other people and disconnected and alone. Overall, this opening sequence really uses mise-en scene to provoke empathy for Leister and to an extent, Janey, and show a deeper meaning into the familys lifestyle. The director has used mise-en-scene throughout the opening sequence to show how dysfunctional a seemingly perfect family is and unravels family problems and struggles within the first foursome minutes just by using props, patterns and structuring settings.